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User manual Behringer X32 Compact (English – 74 pages)

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WebBehringer X32 COMPACT User Manual [ru] Download for 1 User Manual X32 COMPACT DIGITAL MIXER Compact Input, Bus Digital Mixing Console with 16 . WebA revolution in its own right, the incredible X32 COMPACT combines the finest analog I/O and powerful digital connectivity with ample processing for 40 channels, 25 buses and up . WebWith its 16 Midas -design mic preamps and dual AES50 ports, the X32 COMPACT can support up to six S16 digital stage boxes for massive I/O connectivity. Ultra-flexible .


Behringer x32 compact manual


Home Screen Meters Screen Routing Screen Setup Screen Libraries Screen Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. All other installation or modification should be performed only by qualified personnel. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the. To reduce the risk of electric shock, do not remove the top cover or the rear section.

To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong.

The wide. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed.

Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus including amplifiers that produce heat. Trident Chambers, Wickhams Cay, P. Limited Warranty, please see complete details online at www. After years of intense development, we are proud to offer a mixer that combines tremendous power and flexibility with a very user-friendly layout and intuitive workflow that allow you to get up-and-running right away.

Employing motorized faders and rotary encoders along with a daylight-viewable TFT screen, the control surface is designed to allow. Abundant analog connectivity is provided via 16 MIDAS-designed digitally-controllable microphone preamps, 6 line-level auxiliary inand outputs, 8 XLR outputs, stereo TRS monitoring outputs and dual phones outputs.

Each of the 16 microphone inputs can accept balanced or unbalanced mic or line-level level signals and include switchable phantom power, 72 dB gain range and. A separate external talkback mic input allows communication to various destinations.

Motorized faders, recallable mic preamps, programmable routing and the ability to save and recall entire scenes make set or program changes quick and simple.

A top panel USB connector enables system data to be stored or a board mix to be recorded directly to external flash or hard drives. A separate section of 8 motorized faders controls DCA groups , bus and as well as matrices A custom assignable section allows certain control functions to be mapped directly to a set of dedicated knobs and buttons. A main 7″-wide, high-contrast color display provides information for editing pertinent parameters of the active function or effect.

Each channel also features a small, customizable LCD screen for track name, number, color and source graphic. A virtual FX rack offers 8 true-stereo 16 mono multi-effects processors, with 39 FX models that eliminate the need for any additional outboard gear. The built-in interface card enables streaming of up to 32 tracks to and from a computer for recording, mixing and mastering purposes. Control the mixer from a distance with the free. Continue through this User Manual to learn all about the functionality that this powerful mixer has to offer!

We also recommend that you check. This chapter will give you an overview of the basic operations of the mixer, allowing you to get up and running quickly. More specific details about various functions can be referenced later in the manual. Throughout the top panel of the console, you will find small buttons labeled View. For example, if you are editing the equalizer and feel like seeing a large display of the EQ frequency response curve or corresponding EQ parameter value, simply press the adjacent View button in the EQ section.

If you need to check where the talkback signal is being routed, simply press the View button next to the Talk button and the main display will show the details.

With the View button approach of the X32 COMPACT console, there is almost never a need to drill down through multiple menu pages, since the View buttons will always take you directly to the relevant screen. For example:. Each of these subsections correspond to the processing steps of the currently selected channel, and they each have their own View button that, when pressed, switches the Main Display to a page displaying all related parameters for.

To adjust controls for a given channel strip, simply press the Select button on the desired input or output channel. Certain sections of the channel strip such as the low cut filter, noise gate, EQ and compressor contain a respectively labeled button that can be pressed to switch the specific effect on and off. The button illuminates to show the effect is active, and goes dark when bypassed.

For example, if an output bus is currently selected, the LED collar and the gain knob are turned off, because there is no input gain to be controlled on an output bus.

There are two separate Level controls in this section, one for the headphone outputs located on either side of the console, and a second one for the monitor outputs located on the rear panel. This section also contains independent Talkback buttons A and B. Talkback A and B edit pages. You will find a select button on top of every channel that is used to direct the control focus of the user interface, including all channel related parameters channel strip and main display , to that channel.

DCA Groups digitally controlled amplifier cannot be selected because they control a number of assigned channels rather than one specific channel. The Input Channels section of the console is located on the left hand side, and offers 16 separate input channel strips.

These 16 channel strips represent three separate layers of inputs for the console, including:. Press any of the correspondingly labeled layer buttons on the left side of the console to switch the input channel bank to any of the six layers listed above.

The button will illuminate, reminding you which layer is active. On each fader strip you will find a motorized mm level fader, Mute and Solo buttons, a Gate indicator, an input level meter, Compressor indicator, and the channel select button.

Each of the 8 input channels has an individual and customizable color LCD screen that can display a channel number, nickname, and even a graphical channel icon. The main color display presents information about various sections of the console. The top section of the main display permanently covers useful status information. The top left corner shows the selected channel number, its nickname and the selected icon.

The next block shows the current scene number and name in amber, as well as the next upcoming scene. The center section displays the playback file name along with elapsed and remaining time and a recorder status icon. The next block to the right has 4 segments to show the status of AES50 ports A and B, the Card slot and the audio clock synchronization source and sample rate top right.

Small green square indicators show proper connectivity. When working with any given screen, press the Page keys located on the display bezel to switch to different screen pages.

Editing parameters or settings on each of the screens is done using the 6 associated push-encoders along the bottom edge of the display. This section of the console offers eight channel strips, divided into the following layers:. This section also contains a main LR output fader, which is independent and always available no matter which channel bank or layer is active.

When using any of the output bus layers, note that the bottom LEDs on the meters in this section illuminate when the respective bus is fed from pre-fader sources of the selected channel. Simply hold the respective DCA Group Select button on the righthand side of the console, while pressing the select buttons for all the input channels that you wish to assign to said DCA Group. You can also press the DCA Group Select button in order to check which channels are already assigned to it.

The assigned channel Select buttons will light up. The mute group assignment process is similar to the above, but is designed with an additional precaution in order to prevent accidental muting of channels during a show. While holding the desired Mute Group.

When you are done with assignment, switch off Mute Grp at the display, and the 6 Mute Group buttons will work as intended.

The Jump-to-Page control is a special target type that does not alter any audio parameter, but rather brings you directly to any specified display page. The Sends on Faders function aids with level setting of channels sent to any of the 16 Mix Buses. The Sends on Faders function works in two convenient ways to cover the most obvious situations in a live sound environment :.

In addition, there are two AES50 ports, each featuring 48 input and output channels, and a card slot for 32 channels of input and output to and from a connected computer via USB 2. Note: All signal blocks patched to the audio processing will be connected to the corresponding input channels automatically. Local inputs and are listed with brackets, indicating that these are not physically available on this device. Assigning these will obviously carry no signal, but they can still be used when preparing shows for a full X32 console.

Output Signals can be freely assigned from any internal signal to any of the following outputs:. Any and all of the above signals can also be mirrored in blocks of 8 signals on either one of. Changes of the Channel Source can be made on the Preamp Config page. Input Channels are pre-configured to AES50 A inputs , so that connecting an S16 stage box to port A will automatically feed the channels.

Aux Return Channels are pre-configured to use the 6 aux input signals, and the two USB playback outputs, but can be patched to use any other available signal of the console as well.

The bus processing includes in this order :.

Behringer x32 compact manual

Input Channels are pre-configured to AES50 A inputs , so that connecting an S16 stage box to port A will automatically feed the channels.

Aux Return Channels are pre-configured to use the 6 aux input signals, and the two USB playback outputs, but can be patched to use any other available signal of the console as well. The bus processing includes in this order :. The processing steps for this signal path include in this order :.

The processing steps include in this order :. Note that the return signals of FX have separate faders for left and right. Using the app, you can perform functions such as adjusting monitor mixes from the stage while interacting with musicians, or adjusting the front-of-house mix from the audience, while hearing the mix exactly as the audience does. Check out behringer. Stay tuned to behringer. The X-USB card allows transmission of up to 32 channels to and from a connected computer.

When activated, the console automatically mutes the main LRC levels when booting the console. It also prevents any scene loading from affecting i.

If the console has been used by someone else, and you feel unsure about its specific routing status, you can reset the X32 COMPACT to default settings in two convenient ways:.

The console will now be in the same state as it was when shipped from the factory. NOTE: Initializing the console does not automatically erase the current show data or any stored scenes.

Switch the console off and back on without holding the USB View button to boot the console with the existing firmware. The large slow-turning fan is barely audible, but it is still working.

Press the Low Cut button and select the desired high-pass frequency to remove unwanted lows. Press the View button to access more detailed parameters on the. Main Display. Note – It is best practice to mute the respective channels prior to switching their phantom power supply on or off.

Otherwise, the change of charge may cause an audible popping noise. Gain adjustments might also produce audible click noise when adjust shortly after having switched phantom power on or off. When the signal level in the meter drops below the selected Gate threshold, the noise gate will silence the channel.

When the signal level reaches the selected Dynamics threshold, the peaks will be compressed. Press the View buttons to access more parameters on the Main Display. Press the Mode button to cycle through the types of EQ available. Select the. Finally, boost or cut the selected frequency with the Gain knob.

Press the View button for more editing options. See the Topic Guide section for details. Adjust the overall send level to the Mono Bus with the Level knob. Press the View button to edit the talkback routing for A and B.

Press the View button to adjust the amount of attenuation along with all other monitoringrelated functions. The currently active layer will light. The faders will automatically display the current status as layers and functions are changed. The editable function will show a circular icon in the display when continuous control is available. The function will show a broad rectangular icon to indicate that a switch or toggle can be accessed by pushing the encoder. Sends on Faders — Press this button to activate the Sends on Faders.

Select — Press this button to select a DCA or bus depending which layer. Fader — Use this to adjust the bus level. The faders will automatically display. Main Select — Press this button to select the main bus for editing.

Main Fader — This fader adjusts the output of the main bus. Mute Groups — Press one of these buttons to activate one of the mute. Custom Assign Buttons — Assign these 8 buttons to various parameters. See the Topic Guide for details. Outputs — Send audio to external equipment using XLR cables.

Outputs 7 and 8, by default, carry the main stereo bus signals. Power Switch — Turn the power on and off with this switch. When Stereo and Dual versions of an effect are offered, use the Stereo version when the left and right signal are to be altered together e. See the Topic Guide for instructions on how to add effects to a channel or bus. KNEE adjusts the soft limiting threshold point from hard limiting 0 dB to maximum soft limiting 10 dB.

Sometimes called a 3-Tap Delay, the Triple Delay provides three delay stages with independent frequency, gain, and pan controls. Create time-based echo effects with the Triple Delay to increase the sense of stereo separation. LO CUT sets the frequency at which the source signal can begin passing through the delay. HI CUT sets the frequency at which the source signal no longer passes through the delay. X-FEED indicates that stereo cross-feedback of the delays is active.

MONO activates. FEED adjusts the amount of feedback. GAIN A controls the gain level of the second delay stage. PAN A sets the position of the second delay stage in the stereo field. GAIN B controls the gain. PAN B sets the position of the third gain stage in the stereo field. Stereo Delay provides independent control of left and right delay echo times and features high and low pass filters for enhanced tone shaping of the.

Use the Stereo Delay to give your mono signals a wide presence in the stereo field. TIME adjusts the master delay time up to three seconds. LO CUT adjusts the low frequency cut, allowing lower frequencies to remain unaffected by the delay.

HI CUT adjusts the high frequency cut, allowing higher frequencies to remain unaffected by the delay. M creates a mono mix within the feedback chain. Ambience creates a customizable virtual acoustic space in which to place the elements of a mix. Use Ambience to add warmth and depth without coloring the direct sound. Inspired by the Lexicon Ambience Algorithm. DECAY adjusts the time it takes for the reverb to completely dissipate.

SIZE controls the room size emulation. Level sets the volume output of the affected signal. LO CUT adjusts the low frequency cut, allowing lower frequencies to remain unaffected by the reverb. HI CUT adjusts the high frequency cut, allowing higher frequencies to remain unaffected by the reverb. MOD adjusts the level of reverb decay modulation. Reverse Reverb takes the trail of a reverb, turns it around, and places it in front of the sound source.

Use the swelling crescendo of the Reverse Reverb to add an ethereal quality to vocal and snare tracks. RISE controls how quickly the effect builds.

Our gated reverb creates the same impression by a special shaping of the reverb tail. Gated Reverb is especially effective for creating a s-style snare sound or to enlarge the presence of a kick drum. DECAY controls the amount of time it takes for the reverb to dissipate. The higher the density, the greater the number of sound reflections. A plate reverb was originally created by sending a signal through a transducer to create vibrations on a plate of sheet metal which were then picked up as an audio signal.

Our algorithm simulates that sound with high initial diffusion and a bright colored sound. Inspired by the Lexicon PCM SIZE adjusts the size of the virtual room created by the reverb effect. The DAMP knob adjusts the decay of high frequencies within the reverb tail. XOVER controls the crossover point for bass. Classic Hall Reverb simulates the reverberation that occurs w hen sound is recorded in medium to large-sized concert halls.

Use the Hall Reverb to give your mix a lush, three-dimensional quality that will make your performance sound larger than life. Inspired by the Lexicon Hall. SIZE controls the perceived size of the space being created by the reverb effect. The DAMP slider adjusts the decay of high frequencies within the reverb tail. DIFF usion controls the initial reflection density. SHAPE adjusts the contour of the reverberation envelope. Vintage Room simulates the reverberation that occurs when sound is recorded in a small room.

Inspired by the Quantec QRS. The VU meter displays the input and output levels. TIME shows the duration of the reverb effect. This slightly changes the reverb decay time. Use Vintage Reverb to sweeten vocals and snare drums without sacrificing clarity. When layer 1 is selected, the first slider on the left sets the reverb time from 4 milliseconds to 4. Slider 2 controls the low frequency multiplier.

Slider 3 controls the high frequency multiplier decay time. Slider 4 controls the amount of modulation in the reverb tail. When layer two is selected, slider 1 adjusts the pre delay. Slider 2 selects the low cut frequency. Slider 3 selects the Hi Cut frequency. Slider 4 adjusts the output level of the reverb.

When Layer 1 is selected, the far left encoder push button allows you to select between virtual front and rear outputs. Rear is suitable for drums due to it being less reflective. Front is well-suited for vocals and other dynamic instruments. The Vintage button enables the simulation of the input transformers.

DRIVE adjusts the amount of harmonics being driven by the effect. GAIN adjusts the output gain of the effect. LO CUT sets the input frequency below which the source signal will not pass through the effect. It’s there The programmable, high-grade mic. The resulting design ensures superior. We also received brilliant support from. They also drew on their extensive. Gate Array coding for rock-solid, ultra-low. You can.

Not sure which X32 is right for you? We totally get it. That’s why the entire X Connect the powerhouse S The Behringer X32 Compact has a width of mm. What is the depth of the Behringer X32 Compact? The Behringer X32 Compact has a depth of mm. Is the manual of the Behringer X32 Compact available in English? Yes, the manual of the Behringer X32 Compact is available in English. No results. Behringer X32 manual 75 pages. Behringer X32 Rack manual 64 pages. Behringer X32 Producer manual 74 pages.

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