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Dawn of the Dead is a American action horror film directed by Zack Snyder in his directorial debut, from a screenplay by James Gunn. A remake of George A. Set in Milwaukee , Dawn of the Dead follows a group of survivors who take refuge in an upscale suburban shopping mall during a zombie apocalypse.

Producers Eric Newman and Marc Abraham developed the film rather as a “re-envisioning” of the original Dawn of the Dead , aiming to reinvigorate the zombie genre for modern audiences. Newman and Abraham were handed the rights to the original courtesy of its producer and rights holder Richard P. Rubinstein ; and then Gunn was brought in to write the script, which adopted the original’s basic premise but is oriented around the action genre.

Snyder, who previously worked as a television director, came on board to direct with a goal of keeping every aspect of the production as grounded in reality as possible. Filming took place from June 9 to September 6 of , on location in Toronto , Ontario, Canada where a now-defunct shopping mall that was slated for demolition was used. The special makeup effects for the film were created by David LeRoy Anderson.

Upon release it received generally positive reviews from film critics, some of whom considered it an improvement over its predecessor in terms of acting, production values, and scares; though others found it lacking in character development, excessively gory, and indifferent to the sociopolitical subtext of the original. A spiritual successor , Army of the Dead , was released on May 14, After finishing a long shift as a nurse at the Milwaukee County Hospital , Ana Clark returns to her suburban neighborhood and her husband Luis.

Caught up in a date night, they miss an emergency news bulletin. The next morning, Vivian, a girl from the neighborhood enters and bites Luis.

Ana forces Vivian outside and tries to call for help. While she is dialing, Luis bleeds out, reanimates and attacks Ana. She flees in her car, crashes, and passes out. Upon waking, she joins police sergeant Kenneth Hall, electronics salesman Michael Shaunessy, petty criminal Andre and his pregnant wife, Luda. They break into a nearby shopping mall and are attacked by a zombie security guard, who slightly bites Luda. Three guards — C. They split into groups to secure the mall.

On the roof, they see another survivor, Andy, who is stranded in his gun store across the zombie-infested parking lot. A broadcast from a television features a group of police officers burning the corpses of zombies and instructs the viewers to shoot zombies in the head to kill them quickly, prompting the survivors to heed this advice.

The next day, a delivery truck carrying more survivors enters the lot, pursued by zombies. Another woman is too ill to walk; she is wheeled inside, only to die and reanimate. After she is killed, the group determines the disease is passed by bites. Luda keeps her bite a secret from the group, though Andre knows. Frank, who has been bitten, elects to be isolated. When he reanimates, Kenneth shoots him. Kenneth and Andy start a friendship by way of messages written on a whiteboard; romance buds between Ana and Michael, as well as Nicole and Terry.

When the power goes out, a few of the survivors go to the parking garage to activate the emergency generator and find a friendly dog who is adopted by Nicole and named Chips. Zombies kill Bart, forcing the others to douse the zombies in gasoline and set them ablaze. Meanwhile, Luda — tied up by Andre — dies before giving birth.

She reanimates and Norma kills her. This makes Andre snap; he exchanges gunfire with Norma and the two kill each other. The others find a zombie baby in Andre’s arms delivered after Luda’s death, which they reluctantly kill.

The group decides to fight their way to the marina and travel on Steve’s yacht to an island on Lake Michigan. They reinforce two shuttle buses from the garage; welding on a snowplow, attaching metal bars and chains as well as stocking chainsaws, propane tanks and road flares. To rescue Andy, the group straps supplies onto Chips and lower him into the parking lot; the zombies have no interest in him. Chips enters Andy’s store safely, but a zombie follows and bites Andy.

Pursuing Chips, Nicole crashes the delivery truck into the gun store, where she is trapped by a zombified Andy. A group of them reach the gun store via the sewers, kill Andy, and rescue Nicole. They grab ammunition and go back to the mall; along the way, Tucker breaks his legs, and at his request C.

Once inside, they are unable to lock the door because Steve temporarily abandoned his guard duty. Zombies storm the mall, forcing an evacuation via the buses. While navigating the city, Glen loses control of a chainsaw, accidentally killing Monica. In the chaos, their bus crashes, killing Glen. Steve tries to flee on his own but is ambushed by a zombie. Ana kills the zombified Steve and retrieves his boat keys. At the marina, C.

Michael, after revealing a bite wound, kills himself as Ana, Kenneth, Nicole, Terry, and Chips flee on the yacht. Footage from a camcorder found on the boat shows the group run out of supplies, arrive at an island and get attacked by a swarm of zombies. The camcorder drops, leaving their fate unknown. Plans to remake ‘s Dawn of the Dead were conceived by producer Eric Newman , a fan of zombie films who cited the George A.

Romero horror film as the best in this genre. Rubinstein , who was reluctant at first as he was “concerned that somewhere along the way a studio would sanitize Newman’s vision for producing a version with ‘attitude'”, but that it was “Marc Abraham’s long track record in keeping the creative integrity of the studio distributed films he has produced intact that gave me reason to say ‘yes'”.

The producers conceptualized the remake as more of a “re-envisioning” which would work in some references to the original but would primarily work on its own terms. In writing the script, Gunn took the original’s basic premise of a group of lone survivors taking refuge in a mall during the zombie apocalypse and then updated it with a storyline that was more action-oriented , [17] putting the characters in certain scenarios that would force them to evacuate the mall.

Rubinstein said Tolkin further developed the characters while Frank provided some of the bigger, upbeat action scenes. Gunn explained in detail how he sees the remake in an interview during a press junket for Scooby-Doo 2: Monsters Unleashed :. I think that in the end, Dawn of the Dead is about redemption because it’s about a bunch of people who have lived certain lives, who have maybe not been the best people, and suddenly they have everything that they’ve used to define themselves: Their careers, their churches, their jobs, their families are stripped away.

They’re gone. They start at nothing and they have to become who they really are in the face of all that and some of the people are redeemed and end up becoming good people and some of them are not redeemed and they end up, you know, not redeemed. And that’s what kind of drove me throughout the story, was it was a story about redemption.

I also think that there’s a lot about how people survive and what people turn to in the face of such tragedy. The tragedy in this case being flesh-eating zombies. And really it’s a group coming together to work as a community who wouldn’t otherwise work together.

So there is that foundation of love, that basic message, within even Dawn of the Dead Zack Snyder chose to direct the remake as his first feature film because it gave the television commercial director “a reason to care about every shot”.

Not wanting his version inevitably compared to George A. Romero ‘s, Snyder concurred with the producers on reimagining the latter film instead of doing it as a “remake”, which, in his view, would entail re-shooting Romero’s script. In searching for a suitable upscale mall location for the film, production designer Andrew Neskoromny looked for existing malls that were scheduled for demolition. Dubbed the “Crossroads Mall”, the crew completely redid the mall over an eight-week period, adding an expensive water feature near the entrance, 14 stores, parking structures, and warehouse areas.

The special makeup effects for the film were created by David LeRoy Anderson , with assistance from his wife Heather Langenkamp. Prior to accepting the job from Universal Pictures executive James D.

Brubaker , Anderson had been in a two-year hiatus from working as a makeup effects artist to operate his company DLA Silverwear. Since the filmmakers had decided that the zombies in the film would become more decomposed over time, Anderson accordingly researched on the appearance of decay following human death , looking through several medical books, war footages, and crime scene photographs showing graphic images of trauma victims in order to properly depict this appearance; [6] [20] he broke down the look of decomposition into three stages:.

The first stage looks like someone who was just in the ER — pale, with lots of fresh blood. The second stage has moist wounds but the skin is beginning to break down. There is a lot of discoloration and mottling, mostly blues and greens.

The third stage is the most intense, with the skeletal form coming through. The wounds are dried-up, the skin is sloughing off and colors are oily blacks. Filming began on June 9, , on location in various parts of Toronto, Ontario, Canada. To handle the volume of willing extras, Anderson and his team built a large factory where painted extras would stay put until they are spoken for by either the main or second unit film crew. The makeup artists were given Anderson’s concept images to work on as references.

X Inc. The production shot scenes for which Snyder wanted as many as 4, live-action zombies, which Berardi created rather as a combination of practical zombies and CG zombies which he built as 3D models with Autodesk Maya. One such scene involved tens of thousands of zombies at the mall’s parking lot, which was shot with motion-control passes whose green screen elements of extras were later composited to create “a digital crowd simulation that looks realistic”.

The score for Dawn of the Dead was composed by Tyler Bates , his first for a horror film. Bates became involved with the film after he was recommended to it by its music supervisor , G. Marq Roswell , who learned he made little money from his work on Mario Van Peebles ‘s film Baadasssss! The studio was not convinced with hiring Bates due to his lack of track record at the time, but director Zack Snyder insisted on him, and he was ultimately hired.

In scoring the film, Bates avoided taking cues from the original’s music by the band Goblin as he found its style to be incompatible with what Snyder had filmed.

Milan Records released Bates’s score in physical format for the first time on October 23, , a week after the record label released it digitally via iTunes Store and Amazon Music. The album comprises 31 tracks, all of which were composed by Bates. Bates’s work on Dawn of the Dead also marked the beginning of a frequent collaboration between him and Snyder: he would later compose for the director on , Watchmen , and Sucker Punch.

The title sequence for Dawn of the Dead was designed by Kyle Cooper , who was reported to have used real human blood. Dawn of the Dead was marketed with its minute opening sequence that was broadcast on cable television four nights before its theatrical release.

The release of Dawn of the Dead in the U.

 
 

Introducing Autodesk Maya Autodesk Official Press [Book]

 

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